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I only have myself to blame – and that (to me) is almost the dictionary definition of “unhappiness” – and I am sitting here in a thick pipe smoke of regret.

I’ve gone and bought the wrong sandwich. And do you know what’s truly sickening: even as I picked it off the shelf, but one thought came to my mind, and that was: “Wrong, wrong, wrong, wrong”.

The path that got me here, handing over too much money for a sandwich that was going to taunt me with its inappropriateness was straight and simple: since about eleven this morning, thoughts of a previously sampled sandwich, the sandwich to rule all sandwiches, had popped into my mind and WOULD NOT GET OUT.

Now: I daresay I know what you’re thinking – something along the lines of “Big deal, Eiljert: pop out and get it, you big twat, you work in London’s famous London in that there advertising: surely there are no barriers that you cannot surmount when faced with sandwich-based desires.” And that would be fair enough, IF I knew where The Sandwich of Dreams resided – but I didn’t.

Instead, it was like one of those pub conversations when you’re all sitting round, wracking your brains to find the name of “That film with that bloke in. The guy who was married to that woman.” and you think  of every film ever made, other than the one that your sub-conscious has trapped and locked in a cell, until you wake up at 2am, with the thought as clear as anything in your head: “Flatliners”.

Yeah, well – so far, I haven’t even HAD my “Flatliners” moment. I’ve gone and bought a pale imitation of the sandwich I was thinking of, and I can’t imagine how it has come to this. I wracked what is left of my brain thinking about it for a good couple of hours, and still I got nowhere. I visited a full half-dozen sandwich emporia, and emerged empty-handed and furious. Eventually, I walked, dull of heart and dull of eye into Marks & Spencer where I entered into a sandwich-based transaction that had nothing to do with love, and everything to do with satisfying base appetites. Inevitably, the sense of satisfaction was fleeting and then over-taken by a far deeper, stronger, truer sense of unhappiness – as is the way with these things.

I wish I could manufacture a happy ending to this story, but there is none. The loss is still real, the disappointment still palpable. I shall emerge from this sadder, but stronger – and I suppose that that must be our shared consolation.

Best Friend had to return to London during our holiday for a pitch, meaning that Talented Art Director With Monkey Arms and I were left in charge of the four children (my three and their daughter, Gifted God Daughter). It was a shame that she had to miss out, but it was great to spend a bit more time with TADWMA, even if occasionally it came with understanding looks from the good people of Taunton.

As we toured the local sights (Longleat, where the Monkey Drive Through was accomplished without the loss of the windscreen wipers to my delight, and the disgust of the children – not so the BMW X5 in front of us, whose car was all but left on bricks and spray-painted “Wanker” by the monkeys; Wookey Hole which only really came alive not during the exploration of caves thousands of years old, but during the time spent in the jungle gym; Weston Super Mare, where Eldest Son and Daughter covered themselves in the clay that makes us so much of the beach and appeared to be wearing grey diving suits), it became obvious as we (in that very English way) almost came to blows over which of us was going to pay for everybody, that the merchants we were dealing with thought they were dealing with a very modern family indeed: two dads and four children.

TADWMA probably got the worst of it, as he queued for the entrance to Wookey Hole and explained that he wanted a family ticket (it being cheaper) while gesturing at me and my children, and was rewarded with a flustered and over-accommodating swiftness from the ticket seller.

On her return, Best Friend thought this was hilarious and made much play of it, referring to her husband as “Mrs. Eiljert” – but this was a step too far, and brought forth the heated and heartfelt objection “Why am I Eiljert’s bitch? He’s the one doing the washing up!”

Holiday – Part 1

I shall write in full about the latest holiday with the children and Best Friend and Talented Art Director With Monkey Arms. For the moment, just let me record that it was the most brilliant fun, and that the children seemed to love every second of it: I had been slightly nervous of a week spent without electricity (and thus DSi, television etc.) but it did not bother them at all, and it was great to see how much time they spent outside, making up games, drawing and reading. Maybe a return to the Dark Ages is a necessity for every year’s holiday…

Needless to say Best Friend and Talented Art Director With Monkey Arms were both absolutely brilliant, and great fun to be around and made the whole thing even more fun that it would have been without them.

Statistics

It appears that one of the most popular search phrases to deliver traffic to my blog is as follows: “Zoe Wanamaker fucked…”

I don’t know what to make of this. Is it critical opprobrium being shown towards her Ranyevskaya, or is there, perhaps, some darker meaning?

American Diva Planner

American Diva Planner has left the agency – in fact, she was asked to leave…

Hers is a particularly sad story: not because she didn’t see her demise coming (I think she did), but because she saw it coming and simply couldn’t alter her behaviour in such a way as to prevent it – like being tied to the railway tracks, and watching the engine approaching. She had a very lofty view of herself and her discipline – and once (unfortunately) when asked by someone whom she viewed as her junior for her mobile number, she replied (without irony) “You? You don’t get MY number!”. This wasn’t a one-off: she used not to do things that she viewed as beneath her (which, it must be said, were viewed by pretty much everyone else as absolutely within her job description), and used not to concern herself with actually translating her thinking into creative work (which, for example, Good Friend at Work and I spend the bulk of our time doing) – indeed, when I was talking to her after she had been fired, she actually said “I don’t care about the creative work”.

This disengaged and detached view of Planning doesn’t cut it any more – if it ever did – either with clients or agencies, and her death knell was sounded by being asked off a piece of business for the third time. Eventually, there’s no way to remain employed if clients don’t want you on your business.

So: she’s with us for another couple of months, and I’ll miss her when she’s gone. I’ll still see her, I hope (she’s a lovely, generous and funny woman – and she throws the best parties known to man) and I hope that a life as a consultant, which is what she’s going to do, will suit her better and bring her more satisfaction.

Bedroom Antics

The departure of Unfeasibly Attractive Girlfriend has not slowed down my (to me, and I daresay to others) surprising rate of sexual success: the last of which was like something out of a farce.

The girl was very attractive, very nice and we went back to her very lovely house, where it must have struck her that I was considerably the worse for drink. We went through the two-step of “I ought to go…” and “Have another drink…” and “Is there a sofa?” and finally ended up on the firm ground of “You can sleep in my bed”.

She went to the bathroom and returned in – Hurrah! – a silk nightdress, and got into bed. I started to undress and then announced:

“I’m not wearing any underwear under my jeans.”

“That’s OK” she said, smiling encouragingly.

“You’ll see my cock.” I added, truthfully.

“Good.” she said, which was encouraging and clear. So with that, I decided to shrug off the trousers and socks and (in attempting to do that in one fluid move) managed to fall over, before popping up at the foot of the bed like some kind of strange creature and making my path up the bed.

You can imagine how, faced with this kind of suave flair and self-possession she was simply putty in my hands – so that is where I shall leave it…

Schooled by Radio 4

Ex-Wife is (as predicted) moving in with Man Who Looks Like Steve Buscemi, in North London.

The children are staying at their current school, which is good as it’s clear that they don’t need any more disturbance, and she has been diligent about finding a way in which she can get them to and from there with relatively little fuss – to wit, The Magic Train (as it has been dubbed by Best Friend), which goes from North London to West London (and beyond in both directions, actually) in a matter of minutes. So, the education is not to be disrupted, but I am thinking that it can be supplemented.

As mentioned above, kitted out with all the requirements of a forty-year old man (younger girlfriend, cashmere V-Necks, expanding classical music collection), I became – unsurprisingly – enamoured with the back catalogue of Radio 4′s Desert Island Discs, delivered via the iPod.

Other than the varying charms and humour of the guests (high points being Ian McEwan, Lawrence Dallaglio and Kristin Scott Thomas – the low point being Giles Brandreth), and the music choices, the other great point of interest for me has been in discovering the nature of the early home lives and education of these (by and large) celebrated and gifted people. The thing that seems to be consistent across class, gender and country, is a parent (sometimes two) who exposed them early to books (not just reading, but “the cult of books”), often Shakespeare and always music. Music unending and constantly on: varying, but high quality (whether it was Ella Fitzgerald, Rolling Stones, Bob Dylan or – most often, it seems – Bach) seems to be the thing that animated these households and these childhoods.

No doubt it’s partly in the nature of the programme they’re appearing on: were it “Desert Island Books”, then I daresay books, libraries, recitals and the spoken word would make (even more of) a starring appearance; and the same is probably true of “Desert Island Kitchenalia” prompting fond, misty-eyed recollections of that sieve, that spurtle, that spoon. Nevertheless, there is something in music (and I know just how unoriginal this is) that is transcendent in every sense, which must account for its animating spark and its ability to provoke feeling and recall time and place. Like many others, I have rehearsed in my head what my choices would be (and I have gone down the path of “music that reminds me of people and occasions), and it was really easy: perhaps because I realised that music was constant in my young life too. I remember my father turning up Elvis Presley whenever it came on in the car, my mother pretending to be all of the animals in Saint Saens’ Carnival, being allowed to stay up late to watch “Carmen” (and then, at the age of ten, being taken to see Losey’s magnificent film of “Don Giovanni” in the cinema), and a steady progress of classical, opera, rock, jazz, blues and pop ever since. It was inter-mingled with the radio (never stirring from Radio 4), but there was always something in the background, over which we talked and about which we argued.

I am redoubled in my determination that it should be the backdrop to my beloved children’s lives whenever they are with me – and if that means that I begin to appreciate  more great music, and to learn more about it with them, then what a reward that will be.

So, farewell then Unfeasibly Attractive Girlfriend.

You were a joy to be with and a wonder to behold. You made me feel fantastic when we were together, and content when we weren’t.

You were respectful of my situation, and all the rules I imposed, and bore them all with great grace, humour and toleration.

For all that: thank you.

Unfeasibly Attractive Girlfriend is off home to New Zealand for four months. It was planned (and indeed, booked) before we got together in the dying embers of last year, and so I can feel content that I have nothing to do with her fleeing the country. For all that I will miss her (though she is returning) it’s also probably a good thing: I’m a long way off wanting a relationship, and am quite enjoying the contrast between the responsibility to my children and the responsibility to no-one but myself that being single offers. It’s great to have had months and months of great fun, sex and companionship, without any need to promise or pretend more, and I’ve enjoyed every moment.

Fare thee well, UAG – may you find as much happiness as you bring.

Eiljert x

The House Beautiful

I don’t really care massively about how houses are decorated. Like everyone else, I have preferences and things that I will not tolerate (wet look tiles, chintz, deep pile carpets – nothing too contentious), but I can’t get too excited about looking at the subtle differences between fourteen shades of “White” from Farrow and Ball with names such as “Suet”, “Linen Petticoat”, “Mrs Danver’s Teeth” and “Dame Maggie Smith White”. This is not to say that UAG is going to get her way and see the downstairs rooms of my new house painted “Duck Egg Blue” (“That sounds shit, love.”), but as long as everything is fairly recessive and serves as a good way to house the things I like, I am happy.

But today, an announcement was made at work that made my heart sing: the office is to be redecorated. This is great news NOT for the decoration that is to come, but the decoration that is to be replaced. The most recent example of “Let’s make the space more creative” (which has now run longer than “The Mousetrap”) was to give the staff free rein on the decoration of the pillars that run the length of the first floor. These ran the gamut from the half-hearted (occasional run-outs of “interesting use of graphics”), to the embarrassingly teenage (hundreds of shots of heavily made-up lips) to the tentatively themed (album covers) to the energetically creative (an oak tree, complete with added branches and terse-looking owl) – but the worst of these was the one nearest to me. Needless to say: I had nothing to do with it – partly because of my above-stated ambivalence, partly because of my refusal to get involved with anything that might involve a committee – so I have only got myself to blame. What emerged was horrific: a pillar covered in large and small boxes of breakfast cereal, which was named – DEAR GOD! – “The Deadly Cereal Pillar”.

Words cannot describe the fury and disgust that I felt on the first day, and every day after, that I saw that atrocity. Over time, some of the boxes peeled off and fell to the floor, so that the one thing that could have been said of it (“At least it’s neat”) was no longer true. Anyway: this is all over now. Today, the Front of House staff moved in and started pulling the remaining boxes off the pillar, in preparation for the weekend of decoration – and whatever this weekend holds, it cannot be comparable to the horror that has been: even if it’s just a simple wash of “Stilton Mould”, “Kristin Scott Thomas’ Back” or “Dinner Gong Beige”.

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